Gian Pablo Villamil

Gian Pablo Villamil

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Archive for Photos

Bringing life to old media, and the death of Kodachrome

The demise of Kodachrome last week did not surprise me – in fact, I thought Kodak had long ago ceased production. I have to say I regret it. I’ve recently been working on digitizing my grandfather’s collection of slides, taken on numerous exotic trips around the world, and the difference between the Kodachrome process slides and the others is astonishing.

Here is a scan of a 48 year old Kodachrome slide, a street scene in Burma. Other than dust removal, I have done no additional processing to the image:

A Burmese Street Scene

A Burmese Street Scene

The colors are vivid and clear, the photo could have been taken yesterday. In contrast, here is an Ektrachrome slide, taken 2 weeks later on the same trip:

A Hong Kong street scene

A Hong Kong street scene

Note how all the blue information has disappeared, and the picture has taken on a strong reddish tint. At the time, this was a full color image! Apparently it took Kodak years to realize that Ektachrome slides would lose most of their color, even when stored in dark. By that time, it was too late for many photographers.

Even extensive post-processing can only do so much. At least it is possible to reduce the overwhelming red hue, and recover a little bit of the remaining green and red pigments:

hk-street-post-DEE

My grandfather purchased many commercial slides to fill out the records of the trip. Some of these commercial slides have fared even worse:

The Colosseum, Rome

The Colosseum, Rome

At least they’ve decayed in interesting ways! I intend to do something interesting with the hundreds of extremely decrepit slides that look like this.

I could not help thinking that I am probably the last person who will ever physically handle these slides. Chances are that scanning technology won’t really improve sufficiently to justify ever scanning these slides again, and the Ektachrome slides will eventually fade away entirely.

A lot of today’s media face the same fate: DVD-R’s are this generation’s Ektachrome, with a viable lifetime much, much shorter than originally thought (5 to 10 years). The only way to keep digital media current seems to be continued copies onto newer and newer media, but even hard drives are not a good archival medium (lubricants in the bearings of a hard drive will eventually freeze up if the drive is not powered up for more than a year).

Keeping media alive is major effort, and one that is time-critical. Once the physical media has degraded, the effort quickly becomes so great that it will mostly never be made. Unfortunately, digital media seems to lack the equivalent of a Kodachrome, a stable medium that will last into future generations.

Jim Power, mosaic man of the East Village, needs YOU

Jim Power, Mosaic Man

Jim Power, Mosaic Man

I finally met Jim Power, the Mosaic Man of the East Village. For the past 22 years, and without any official support (read: funding), he’s been decorating the lamp posts of the East Village with elaborate mosaics. This is not just a decorative exercise: the mosaics contain detailed references to the history and landmark of the New York, and are a conscious attempt to preserve the history and character of the neighborhood. Today he was working on repairs to a lamp post that he first worked on 22 years ago.

In spite of his age, and the time he’s already spent on the project, he’s got big ideas: he wants to restore the giant mural on the floor of the US pavilion from the World’s Fair in Flushing, and he wants to create a series of pavement mosaics on Allen Street, working with Chinese artists.

To do this, he needs some support (both moral and financial), and there are ways to provide both. They’re on the sign in the picture, but I’ll repeat them here: his PayPal username is jimpower and his phone number is (646) 236-1547. He likes hearing from people who donate.

Next time you’re in the East Village, pay closer attention to the mosaics on the lamp posts – they tell all kinds of stories. If you want to help out, now you know how!

Who is this robot?

I saw this robot embedded in the pavement, on 4th Street in Greenwich Village. I’ve also seen one like it on Lafayette, near Astor Place, and other places. What is his story?

(Posted from my iPhone, using the snazzy free Wordpress for iPhone app.)

My favorite camera is a toy camera

Takayuki Fukatsu’s Toy Camera is my favorite camera now.

SF MoMA roof

De Young sky

The randomly applied effects make you look at your photography in a new way – it’s really uncanny.

Google reality

Google Earth has just added a hugely detailed database of 3D buildings to a lot of cities, including New York. Careful examination suggests that they’ve used imagery from their Street View project to fill in a lot of the facades. However, at a broad scale, the results are impressive:

New York from Google Earth

New York from Google Earth

And here is exactly the same view, from a photo taken by me:

New York as seen from 300 Mercer

New York as seen from 300 Mercer

A couple of years ago, a Playstation game was famous for its extremely accurate representations of Tokyo locations. This kind of information is quickly becoming a widely accessible, free resource. It is only a matter of time before the imagery improves in resolution, and is updated more quickly.

Incorporating imagery from something like Photosynth, from security cameras, or other sources will enable the creation of an utterly compelling alternative reality.